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Midas
In Greek mythology, Midas or King Midas (in Greek Μίδας) is popularly remembered for his ability to turn everything he touched into gold: the ''Midas touch''. In alchemy, the transmutation of an object into gold is known as ''chrysopoeia''.
Midas was king of Pessinus, a city of Phrygia, who as a child was adopted by the king Gordias and Cybele, the goddess whose consort he was, and who (by some accounts) was the goddess-mother of Midas himself. Some accounts place the youth of Midas in Macedonian Bermion. In Thracian Mygdonia, Midas was known for his garden of roses: Herodotus remarks on the settlement of the ancient kings of Macedon on the slopes of Mount Bermion "the place called the garden of Midas son of Gordias, where roses grow of themselves, each bearing sixty blossoms and of surpassing fragrance". In this garden, according to the Macedonian story, Silenos was taken captive. According to ''Iliad'' (v.860), he had one son, Lityerses, the demonic reaper of men, but in some variations of the myth he had a daughter, Zoë or "life" instead.
''For the legend of Gordias, a poor countryman who was taken by the people and made King, in obedience to the command of the oracle, see Gordias.''
''For the son of Midas, see Adrastus.''
The great tumulus
In 1969, archaeologists connected with the University of Pennsylvania opened a chamber tomb at the heart of the Great Tumulus (height 53m, diameter about 300m) on the site of ancient Gordion (modern Yassihöyük, Turkey), where there are more than 100 tumuli of different sizes and from different periods. They discovered an early eighth century BCE royal burial, complete with remains of the funeral feast and "the best collection of Iron Age drinking vessels ever uncovered". This inner chamber was rather large; 5.15m by 6.2m in breadth and 3.25m high. On a wooden bedstead in the corner of the chamber lay a skeleton of a man 1.59m in height and about 60 years old. In the room there were decorated furniture and panels plus many vessels with grave offerings. Though no identifying texts were associated with the site, it is popularly dubbed the "Tomb of Midas" (Penn). Later investigations showed that this funerary monument could not have been constructed after the Cimmerian invasion in the early seventh century BCE. Therefore, it is now believed to be the monument for an earlier king than Midas.
In the nineteenth century, at Midas Sehri, another "Tomb of Midas" was discovered. The name was given on the basis of the word "Mida", identified in incompletely translated Phrygian inscriptions. That "tomb" is no longer believed to be a tomb, but rather a sacred site to Cybele.
Myth
Once, as Ovid relates in ''Metamorphoses'' XI Dionysus found his old schoolmaster and foster father, the satyr Silenus, missing.
The old satyr had been drinking wine and had wandered away drunk, later to be found by some Phrygian peasants, who carried him to their king, Midas (alternatively, he passed out in Midas' rose garden). Midas recognized him and treated him hospitably, entertaining him for ten days and nights with politeness, while Silenus entertained Midas and his friends with stories and songs.
On the eleventh day, he brought Silenus back to Dionysus in Lydia. Dionysus offered Midas his choice of whatever reward he wished for. Midas asked that whatever he might touch should be changed into gold.
Midas rejoiced in his new power, which he hastened to put to the test. He touched an oak twig and a stone; both turned to gold. Overjoyed, as soon as he got home, he ordered the servants to set a feast on the table. "So Midas, king of Lydia, swelled at first with pride when he found he could transform everything he touched to gold; but when he beheld his food grow rigid and his drink harden into golden ice then he understood that this gift was a bane and in his loathing for gold, cursed his prayer" (Claudian, ''In Rufinem''). In a version told by Nathaniel Hawthorne, Midas found that when he touched his daughter, she turned into a statue as well.
Now, Midas hated the gift he had coveted. He prayed to Dionysus, begging to be delivered from starvation. Dionysus heard, and consented; he told Midas to wash in the river Pactolus.
Midas did so, and when he touched the waters, the power flowed into the river, and the river sands turned into gold. This explained why the river Pactolus was so rich in gold, and the wealth of the dynasty claiming Midas as its forefather no doubt the impetus for this etiological myth (Graves). Gold was perhaps not the only metallic source of Midas' riches: "King Midas, a Phrygian, son of Cybele, first discovered black and white lead".
Midas, now hating wealth and splendor, moved to the country and became a worshipper of Pan, the god of the fields and satyr. Roman mythographers asserted that his tutor in music was Orpheus.
Once, Pan had the audacity to compare his music with that of Apollo, and challenged Apollo, the god of the lyre, to a trial of skill (also see Marsyas). Tmolus, the mountain-god, was chosen as umpire. Pan blew on his pipes and, with his rustic melody, gave great satisfaction to himself and his faithful follower, Midas, who happened to be present.
Then, Apollo struck the strings of his lyre. Tmolus at once awarded the victory to Apollo, and all but one agreed with the judgment. Midas dissented, and questioned the justice of the award.
Apollo would not suffer such a depraved pair of ears any longer, and caused them to become the ears of a donkey. The myth is illustrated by two paintings, ''"Apollo and Marsyas"'' by Palma il Giovane (1544-1628), one depicting the scene before, and one after, the punishment.
Midas was mortified at this mishap. He attempted to hide his misfortune under an ample turban or headdress, but his barber of course knew the secret, so was told not to mention it. However, the barber could not keep the secret; he went out into the meadow, dug a hole in the ground, whispered the story into it, then covered the hole up. A thick bed of reeds later sprang up in the meadow, and began whispering the story, saying "King Midas has donkey's ears".
Sarah Morris demonstrated (Morris 2004) that donkeys' ears were a Bronze Age royal attribute, borne by King Tarkasnawa (Greek Tarkondemos) of Mira, on a seal inscribed in both Hittite cuneiform and Luwian hieroglyphs: in this connection, the myth would appear to justify for Greeks the exotic attribute.
Midas
Source: Wikipedia